Answers:
1.d) Trinidad; 2.b) 1890; 3.a) Romanesque Revival
Lying just north of the swath cut by Interstate 25 as it bisects
the town of Trinidad, this Romanesque-inspired church is made
of sandstone obtained from a quarry two miles west of town. A
heavy round bastion with a conical roof and a pointed-arched
recessed entry anchors one corner of the façade. A slender
pinnacle, also capped with a conical roof, marks another corner. The
round window is eight-feet in diameter. Despite its small
size, the building gains height and weight through the manipulation
of the stone and windows.
Plans for construction of the church began in late 1889. The
congregation, with five hundred dollars in the bank, invested
the money in excavation and foundation work. The congregation
witnessed the laying of the cornerstone, which was said to weigh
one thousand pounds, in 1890. Paying for the construction of
the church rested mainly with the congregation. Solicitations
from friends in other states by correspondence brought money
into the fund while work was ongoing. The building and furnishings
cost about $7,600 and the land was $1,400.
The First Baptist Church was the second commission of record
for the Trinidad architectural firm of Bulger and Rapp. Although
the partnership between Charles W. Bulger and Isaac Hamilton
Rapp lasted only a few years, it resulted in several fine buildings
that are an important part of the town’s architectural
heritage. Bulger was a Deacon in the Baptist church, which
probably accounted for the commission. Bulger left Trinidad
in 1891 to practice in Texas, and the following year Rapp formed
a partnership
with his brother William Morris. The firm had offices in
both Trinidad and Santa Fe, New Mexico, and designed numerous
buildings
over the two-state area. Upon his death, the local paper
referred to I. H. Rapp as “one of the most prominent of
the pioneer residents of Trinidad.” He was also the
architect for most of the town’s important buildings, including
the Trinidad Country Club designed in the Pueblo Revival Style
for
which he
would become most noted.
This Late Victorian composition owes much to Richardsonian Romanesque
with its straight forward treatment of stone, broad roof planes,
and select distribution of openings. Its asymmetrical façade
framed by a large tower and a slender pinnacle, both topped with
conical roofs, gives credence to its description as a “medieval
fantasy.” The First Baptist Church is listed on the
National Register of Historic Places.
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